By Tony White
Simply upload talent!
Award-winning animator Tony White brings you the last word e-book for electronic animation. right here you will discover the vintage wisdom of many mythical strategies published, paired with details appropriate to today's able, cutting-edge technologies.
White leaves not anything out. What modern electronic animators such a lot want to know are available among this book's covers - from conceptions to construction and during the numerous levels of the creation pipeline to distribution. This e-book is meant to function your one-stop how-to animation advisor. no matter if you're new to animation or a really skilled electronic animator, right here you'll locate basics, key classical recommendations, suggestion that might develop your paintings and well-roundedness as an animator.
Speaking from event, White provides regularly occurring secrets and techniques animaton with a hot, masterly, and an expert process that has developed from over 30 years as an award-winning animator/director.
Read Online or Download Animation from Pencils to Pixels: Classical Techniques for the Digital Animator PDF
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Additional resources for Animation from Pencils to Pixels: Classical Techniques for the Digital Animator
Insects have the shape, form, and texture that lie perfectly in the domain of computer technology and the limited expectation of their movement was not too major a challenge to the emerging medium of animation. “A Bug’s Life” was born. Since then, the Pixar studio has ventured even further into areas of character design that were not thought possible until that moment, such as fantasy monsters, fish, and cartoon superheroes. As with 2D animation before it, 3D has yet to conquer the human form in a way where the characters can act naturally and not look like plastic models or wooden sculptures without the spark of true spirit within them.
Endangered Species” Having conceived of a dual world for the film’s storyline (the real world of the animator at his desk and the imaginary world he creates, which is depicted on the movie screen), I attempted to weave in a story idea that not only represented the story of an individual’s life evolution, from birth to death, but which also reflected the evolution of the animation industry through the decades of the 20th century. In reality, the scripting of this film was more a process of pencil sketching and reference film assembly than by actually writing it all out.
How many movies have you seen where the principal characters have a particular style of design but the incidental characters look as if they are another species? The design approach should be consistent throughout, from character to character and from characters to backgrounds or environments. Character designs especially need to caricature the personality and emotional traits of the individuals concerned. It is always easy to create insects, robots, and aliens that will fight out a fantasy adventure script, but it is extremely hard to design humanesque heroes and heroines that have to sensitively deliver dialogue and convey subtle emotions.